Grace Cordell, a director on the Young Vic Directors Program visited the Young Vic in October to take part in an improvisation workshop facilitated by Chris Heimann. Grace's travel was paid for by our Go See Fund, part of Reach Out, which aims to support directors based outside of London so they can take part in Young Vic activities and projects. Grace describes her experience of the (pre-planned) improv workshop... I was excited by the idea of a workshop purely on improvisation. It's a lesson that I looked forward to every week whilst training, and now from a directors point of view, I was excited to see how Chris would guide us on how to facilitate this within rehearsal. 
On the tube, I read the initial email through properly- 'wear movement clothes and be prepared to work barefoot'. The workshop was largely movement based and Chris kept coming back to the balance that needs to be present in order to allow organic response. You must be bold enough to lead, whilst also having the humility to follow. Throughout the session he playfully referred to the magic IF; Michael Chekhov; how Russians think that the English misunderstand Stanislavski. There wasn't really the generic meet and greet name game that usually accompanies skill workshops. Chris briefly introduced himself and his work, and then asked two others in the room to do the same, and then we began. Chris' open nature allowed the room the breathe a sigh of comfortability and jump right in. We started with a warm up that involved individually, listening and responding to our bodies through movement, warming up where and how we wanted to. Following this we got into pairs and were thrown into more specific movement, starting simply with creating and responding to shapes made with our bodies and eventually moving on to fluid movement and then finally into spoken word. The main point that we were reminded of was to respond truthfully, that was our aim and all we needed to focus on. We weaved between partner work and the entire group watching one pair and before each exercise- Chris made sure to remind the group that this wasn't a performance, there was no judgement, no expectation, the point was simply to respond. I found this extremely freeing, but did feel like the group needed the reminder before every example. Perhaps this was because of the unfamiliarity of the group, or the pressure that often accompanies one off workshops, or simply that the thought that often accompanies improvisation is fear or expectation to be funny, or entertaining, or just something interesting when in fact the only expectation here was much more interestingly, simply to respond to a feeling or sensation rather than a thought. One thing that struck me about the session was how present I felt throughout. One of the directors expressed the thrill she felt at feeling present today and I think this was shared with most of us in the workshop. There was a lot to take in but only one main focus, to respond, which I think aided the groups ability to really be in the moment. The concept was simple, the exercises were simple and it revolved around truthfully responding. It's about how you facilitate the actor to achieve this. It's easy to tell the actor what you want to achieve but it has to come from a place of truthful response for the actor so that it doesn't inhibit them. You have to find a way to let them find it them-self in order for it to really be truthful. The 2 1/2 hours felt much shorter and I left the session feeling as though we were just on the cusp- I wanted to see what happened next. The start of the day was a bit nervous and excited, and by the end I felt as though the main thing I'd take away from the day was how beneficial to the process it was to be present and free and non judged, and how easily Chris guided us toward this. I think the most important thing to do in an improvisation session, be it separately, or within rehearsal for a show is to make sure that the actors feel comfortable enough to just respond truthfully and ultimately do nothing else at all. The less thought that goes into it leaves way for more honest reaction through feeling.
